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April 2003

All the Plastic People
Or the Homogenization of New York Fashion Week

You'd think that in a culture-driven capital like New York City, at one of the more supposedly creative events of the year, you would find some of the most interesting people around, on and off the runway. Surely, at this twice-yearly gathering of the "fashion flock" (consisting of magazine editors, stylists, buyers, and various extraneous hangers-on and designer groupies) there would be some seriously kitted out individuals, right?

Sorry to say, that with the exception of a few brave souls, most of the people in attendance at the Fall 2003 shows (held in NYC in February) looked almost exactly like each other and showed little interest in anything more than having the latest "must have" handbag (as dictated by the increasingly boring American Vogue). This season it seemed as if most women aspired to look like contestants from "The Bachelor". Hair was long and impossibly straight (from either a daily blow-out by their stylist of from that popular $600 Asian straightening technique). It was also usually streaked out in various shades of medium blond and medium brown.

Clothes were simple: trench coats, tight Seven jeans (will they ever part with their Seven jeans?), pointy stilettos. Burbury, Michael Kors, and Marc Jacobs, Marc Jacobs, Marc Jacobs (who also was in the copying mood this season as his swinging 60's runway show was practically lifted from the archives of Mary Quant, Courreges, and Rudi Gernreich). Fur was also quite abundant. And of course, one just had to have the "bag of the season" (whatever that was, probably something Louis Vuitton).

Whoever said cloning was just for sheep?

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